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LADY OF LINCOLN is available on NetGalley!
For a limited time only, Lady of Lincoln is available for Netgalley reviewers and librarians to read and review.
If you love immersive historical fiction based on real characters and strong women protagonists, then this novel is for you!
Get your copy here: https://www.netgalley.com/catalog/book/787763 or click the image above.
More on Lady of LIncoln:
1173. Nicola de la Haye will inherit great estates and Lincoln Castle—one of England's most strategic fortresses, but the medieval world is a man's world and her father arranges a marriage to secure her estates. She chooses love instead, causing her world to collapse. King Henry II punishes her. Her husband betrays her and joins a rebellion. Powerful men circle her inheritance like wolves.
LADY OF LINCOLN is the award-winning first book in the true story of Nicola de la Haye—the woman who would become England's first female sheriff and, years later, save the realm from a French invasion. But that triumph is still distant. This is where it begins: with a young woman learning what defiance costs, and what it takes to survive.
"A towering, epic saga… one of the greats in this genre." — Readers' Favorite ★★★★★
Lady of Lincoln Gallops into the Chaucer Awards
I’m delighted to share some wonderful news: Lady of Lincoln has been named a Finalist in the Chanticleer International Chaucer Award for Historical Fiction.
It feels especially fitting to imagine Lady of Lincoln galloping into this space. The novel tells the true story of Nicola de la Haye, a medieval noblewoman who refused to be sidelined in a world designed for men, and who quite literally rode into danger to defend her lands, her people, and her legacy.
The Chaucer Award celebrates historical fiction that brings the past vividly to life, honouring works grounded in strong research, compelling storytelling, and memorable characters. To see Nicola’s story recognised in this way is deeply meaningful.
Thank you to Chanticleer for championing historical fiction, and to every reader who has ridden alongside Nicola on her journey so far. More news to come: the ride is far from over.
The Relic Keeper by Heidi Eljarbo
I’m thrilled today to be spotlighting the late-Renaissance historical novel, The Relic Keeper by Heidi Eljarbo, with Christian themes about hope and love.
Inspired by Gerrit van Honthorst’s masterpiece, The Adoration of the Child, and the novel Oliver Twist by Charles Dickens.
Italy, 1620.
Angelo is an orphan, lonely and forgotten. Having been passed on from one family to the next, he ends up as a common thief, subject to and under the thumb of a ruthless robber called Tozzo.
Angelo knows no other life and has lost hope that any chance of providence will ever replace his lonely, misfortunate existence. When he loses his master, his livelihood is shaken. Tozzo’s plunder is hidden in a safe place, but what will happen if someone comes after Angelo to get their hands on the stolen relics? More than that, he feels threatened by words he’s heard too many times; that he’ll always remain unforgiven and doomed.
One day, a priest invites Angelo to help with chores around the church and rectory and, in exchange, offers him room and board. Padre Benedetto’s kindness and respect are unfamiliar and confusing, but Angelo’s safety is still a grave concern. Two older robbers have heard rumors about the hidden treasures and will stop at nothing to attain them.
With literary depictions and imagery, Angelo’s story is a gripping and emotional journey of faint hope and truth in seventeenth-century Italy—an artistic and audacious tale that crosses paths with art collector Vincenzo Giustiniani and the powerful Medici family.
Using invisible threads, Heidi Eljarbo weaves together her fictional stories with historical figures and real events.
Book Review: A Brotherly Devotion by Jill Bray
I thoroughly enjoyed this historical whodunnit and would recommend.
It started with action (the murder) and kept going. It took me a chapter or so to get into the writing, but the story was so engaging I was immersed by chapter 2.
I really love stories that contain more than one plot, and where the various plots intertwine. This story, with murders, a love triangle, paternalistic misogyny (when doesn’t that happen in medieval times, me thinks…), the peasants revolting because there isn’t enough food, and out-of-touch, wealthy churchmen and class divides, gave a fun and interesting read.
LADY OF LINCOLN scoops up another Gold Medal Award!
Lady of Lincoln, the historical novel about Nicola de la Haye, has won the Reader’s Choice Gold Medal Award
Herstory Refuses to Be Forgotten!
ady of Lincoln opens in 1168, when a fourteen-year-old Nicola de la Haye stood in the barracks of Lincoln Castle, a young girl surrounded by sleeping soldiers, determined to help a boy who didn't belong. It was a small act of defiance in a world that would soon demand much larger ones.
I'm honoured to share that Lady of Lincoln has been named a semi-finalist in the 2025 Chanticleer Chaucer Awards for Early Historical Fiction.
The novel has already won awards, and this is a highly prestigious one. Chuffed as I am, it’s not really about awards and recognition that I can weave a good tale (although I’m thrilled about that!). It's about what Nicola's story represents—a woman who inherited a barony and a castle in her own right, who found herself caught between impossible loyalties when her husband joined the Great Rebellion of 1173-4, and who chose to defend what was hers.
That’s what inspired me to write about her in the first place.
Fastrada: Charlemagne’s Queen History Tried to Forget
Charlemagne is usually thought of as the iron-willed king, crowned Emperor of the Romans in 800, architect of a European empire and champion of learning and reform. What we never hear about, however, are the women who stood beside him: women whose influence shaped politics, justice, and the fragile stability of his realm.
One of the most controversial of these women was Fastrada, Charlemagne’s fourth wife and queen, a woman remembered less for what she did than for how male chroniclers chose to describe her.
A Frankish Noblewoman in a Dangerous Court
Fastrada was born into the high Frankish nobility around the mid-8th century, the daughter of Count Radulf. Her marriage to Charlemagne in 783 was not a romantic match but a strategic one, strengthening ties between powerful families within the Frankish heartlands. This was a period when Charlemagne’s empire was expanding rapidly through conquest, forced conversion, and ruthless suppression of revolt.
Queens in the Carolingian world were not crowned consorts in the later medieval sense, but they were far from ornamental. They managed households, acted as intermediaries, dispensed patronage, and, crucially, advised the king. Fastrada arrived at court at a moment when Charlemagne’s rule was under strain from internal rebellion, particularly in Saxony.
“Cruel” Queen or Convenient Scapegoat?
Our surviving sources paint Fastrada in dark colours. Einhard, Charlemagne’s biographer, describes her as harsh and cruel, claiming that her influence made the king more severe in judgement. Later chroniclers echoed this, blaming her for brutal punishments meted out against rebels and dissenters.
But this raises an uncomfortable question: Was Fastrada truly cruel, or was she blamed for decisions Charlemagne himself made?
Early medieval queens were often held responsible when kings ruled harshly. Advising firmness could easily be reframed as bloodthirstiness, especially when the adviser was a woman. Fastrada’s reputation may tell us more about medieval anxieties over female influence than about her actual character.
It is worth noting that Charlemagne’s most notorious acts of brutality, including the mass executions of Saxons, predated and outlasted Fastrada’s life. Yet only she became a symbol of excessive severity.
Wu Zetian: The Woman Who Ruled an Empire
When we think of medieval power, the mind rarely leaps to a woman occupying the highest throne in one of the world’s greatest empires. Yet in 7th-century China, one woman did precisely that. Wu Zetian (624–705 CE) rose from low-ranking concubine to become China’s only female emperor; not merely empress consort, nor regent, but sovereign ruler in her own right.
In a world shaped by Confucian ideals that explicitly declared women inferior and unfit for leadership, her ascent was nothing short of astonishing.
And like many powerful women in history, Wu Zetian has been remembered through a haze of scandal, propaganda, and deliberate distortion. It’s time to peel back the layers and re-examine the woman behind the legend.
From Concubine to Emperor: A Rise Unlike Any Other
Wu Zetian entered the palace of Emperor Taizong as a teenage concubine; one among hundreds, hardly expected to influence politics. After Taizong’s death she should, by custom, have been sent to a Buddhist convent. Instead, she returned to the palace of his successor, Emperor Gaozong, beginning her ascent through skill, cunning, and what later historians would call “unwomanly ambition.”
Smooth Operator
But ambition alone did not place her on the throne. She possessed a sharp intelligence and administrative brilliance; a talent for identifying capable officials, many of whom became her loyal supporters; and a capacity to counter, outmanoeuvre, or neutralise rival factions.
When Gaozong suffered debilitating strokes, Wu Zetian took charge of state affairs. After his death, she ruled first through her sons and eventually dispensed with that formality entirely, proclaiming her own dynasty: the Zhou, and naming herself Huangdi, the imperial title previously reserved for male rulers.
‘King and Conqueror’: How much truth-stretching is acceptable?
Welcome back to another Medieval Monday blog. After several posts dissecting the lead up to the Great Rebellion of 1173-4, today I’m switching focus to another seismic moment in English history: the Norman Conquest of England, as reimagined in the TV programme King & Conqueror.
The show has stirred plenty of excitement, and equally as much critique, about just how faithful a retelling it is. Because of that, I was loathe to watch it, but now I have, and here’s my view.
In short: yes, it draws on real events, but takes dramatic licence freely. The question is: when storytelling trumps scholarship, how much is too much?