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Wu Zetian: The Woman Who Ruled an Empire
Forgotten Women of History, Historical Fiction Rachel Elwiss Joyce Forgotten Women of History, Historical Fiction Rachel Elwiss Joyce

Wu Zetian: The Woman Who Ruled an Empire

When we think of medieval power, the mind rarely leaps to a woman occupying the highest throne in one of the world’s greatest empires. Yet in 7th-century China, one woman did precisely that. Wu Zetian (624–705 CE) rose from low-ranking concubine to become China’s only female emperor; not merely empress consort, nor regent, but sovereign ruler in her own right.

In a world shaped by Confucian ideals that explicitly declared women inferior and unfit for leadership, her ascent was nothing short of astonishing.

And like many powerful women in history, Wu Zetian has been remembered through a haze of scandal, propaganda, and deliberate distortion. It’s time to peel back the layers and re-examine the woman behind the legend.

From Concubine to Emperor: A Rise Unlike Any Other

Wu Zetian entered the palace of Emperor Taizong as a teenage concubine; one among hundreds, hardly expected to influence politics. After Taizong’s death she should, by custom, have been sent to a Buddhist convent. Instead, she returned to the palace of his successor, Emperor Gaozong, beginning her ascent through skill, cunning, and what later historians would call “unwomanly ambition.”

Smooth Operator

But ambition alone did not place her on the throne. She possessed a sharp intelligence and administrative brilliance; a talent for identifying capable officials, many of whom became her loyal supporters; and a capacity to counter, outmanoeuvre, or neutralise rival factions.

When Gaozong suffered debilitating strokes, Wu Zetian took charge of state affairs. After his death, she ruled first through her sons and eventually dispensed with that formality entirely, proclaiming her own dynasty: the Zhou, and naming herself Huangdi, the imperial title previously reserved for male rulers.

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‘King and Conqueror’: How much truth-stretching is acceptable?
Historical Fiction, Norman Invasion, Historical Drama Rachel Elwiss Joyce Historical Fiction, Norman Invasion, Historical Drama Rachel Elwiss Joyce

‘King and Conqueror’: How much truth-stretching is acceptable?

Welcome back to another Medieval Monday blog. After several posts dissecting the lead up to the Great Rebellion of 1173-4, today I’m switching focus to another seismic moment in English history: the Norman Conquest of England, as reimagined in the TV programme King & Conqueror.

The show has stirred plenty of excitement, and equally as much critique, about just how faithful a retelling it is. Because of that, I was loathe to watch it, but now I have, and here’s my view.

In short: yes, it draws on real events, but takes dramatic licence freely. The question is: when storytelling trumps scholarship, how much is too much?

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